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Such an idea, constructed into an expert identification, placed engineers inside Kultur rather than Zivilisation, and subsequently made them worthy of upper social status. This transfer in turn invited questions concerning the relationship between Technik and tradition. While it had been the German engineers that had articulated the broad idea of Technik, it was German social scientists who probed this problem further. Walter Sombart, for instance, in his 1911 paper ‘Technik und Kultur’, argued that the causal relationship was bidirectional. ‘In many ways’, notes Schatzberg, ‘this evaluation is sort of much like the critique of technological determinism that emerged amongst American historians of technology within the Nineteen Sixties and 1970s’ (p. 112). The broad idea decisively entered the English language when within the early 1900s Thorstein Veblen took and expanded the class of Technik as industrial arts however translated it as ‘technology’. By shutting off internet entry ful